Wednesday, September 21, 2011

"I just need a little time."

The other day my awesome fellow MiG Kate wrote a really interesting POST about emotional distance. (You should read it for no other reason than it includes a zombie Thomas Jefferson. I kid you not.) And it got me thinking about how and why we make the choices that we do with our stories.


I started a new book recently and I found myself wanting to write in first person present tense. I love writing in present tense. It feels very intimate and immediate to me. Everything the MC is going through, the reader can experience first hand in real time.


But after I finished my chapter and reread it, I realized that something was missing.


Suspense.


Nothing big and flashy happened in the opening. So how could I hint to the reader that something (really interesting, I swear!) is about to happen and they should stick around?


If my MC was living in “real time” then she couldn’t tell the reader. But...if she was telling the story of something she’d already experienced, she could provide those hints I needed to build suspense.


So instead of emotional distance, I gave my character some time distance. (I don’t know if this is a real term but I I like it.)


For example - here’s a section of my original draft:



My mom is a super organizer. She’s been PTO president for three years and can run a fundraiser better than Oprah.



Here’s the revised version with some time distance:


Mom is the Queen of Organization. Before everything spun out of control, she was the PTO president for three years. She could raise more money than Oprah. Unfortunately, Mom was one of my casualties. The book of Exodus tells us God is slow to anger. But the people at school and in the community sure weren’t.



See the difference?


Just something to think about next time you’re trying to figure out which tense to use!



Friday, September 16, 2011

What Do You Read?

For my writing, I consider it essential to read the kinds of books I write. So, my bedside table is stacked with MG and YA novels (I don't write YA yet, but I like reading them). I tend to read these for enjoyment first, and then afterward, I occasionally think about elements that are related to the craft, like the voice, the language, the dialogue, or the way the story is constructed. I estimate that about 40% to 50% of what I've read over the past couple of years has been books for children.

I wonder what the librarians at my local branch library think of me, getting all these kids books on hold? Maybe they think I have 5 kids at home who read all the time!

My goal has been to immerse myself in the style, the voice, and the structure of the kinds of books I want to write. It has definitely paid off. I know my writing has become much stronger since I've started doing this. (And it's fun!)

In case you were wondering, outside of kidlit, I read "how-to" writing books (this is beginning to sound like an obsession), blog posts (about writing, of course), books for my teaching job, cookbooks, a quick scan of the daily newspaper, and some adult mysteries and chicklit because I do sometimes want to read about adults. I'm guessing this other reading has less impact on my writing, except for the writing-related nonfiction.

What do you read? How much impact do you think it has on your writing?

Wednesday, September 14, 2011

A quick tip

My 14-year-old has this new thing where she combines the word procrastinate and whatever action she’s doing. For example. 
Me: Are you doing your homework?
Her: No. I’m procrasti-painting.
Me: What about now?
Her: No. Now, I’m procrasti-watching tv.
You get the idea. 
Well, this morning I wasn’t feeling my next chapter so I was “procrastidesigning.” Now, I’m a huge believer in visualization. Always have been. I decided what my muse needed was a little visual aid, so I spent some time designing a book cover for my WIP. 
It was easy. I just went to istockphoto.com and searched for a key element in my story. I found something that worked great and I played around with fonts and size until I was happy. 
Here’s the result.









You might notice that I didn’t include my name on the cover. That’s because I haven’t decided yet if I’ll use a pen name on this story or not. It’s a bit controversial. (Which is, ahem, more than a little ironic since my story is about standing up even when it may not be popular. Feel free to mock me openly if the story ever gets published.) 
Here’s another little visual aid. This dude is important to my story, too. Since I couldn’t find exactly what I wanted, I drew on the LOVE myself. It’s not pretty, but it’ll work. 


So, hey, next time you need a little inspiration (or want to procrastinate), why not give this idea a shot?

Thursday, September 8, 2011

Quote of the Week

As many of you know, I am a second degree black belt in taekwondo. Each week, my instructor puts up a Quote of the Week. This week’s quote is this Chinese proverb:


Do not be afraid of slow growth, be afraid of no growth.


If it wasn’t for the pain and, you know, all the social backlash, I think I’d have this tattooed on my head these days!


I don’t care what my fellow Mig Andrea says, I must be the slowest full-time writer in the world. (A writer who doesn’t actually write. Very sad, very sad.) I plod along while everyone around me manages to pump out pages and pages. It’s agonizing sometimes.


I’m the slowest in my taekwondo class too. You know the ol’ lady who’s two laps behind everyone else during warmups? That’s me. And I’m always the last one to finish any drill. It used to bug me like crazy but then I made some self-depreciating comment about being so slow. And guess what. My instructor praised me in the middle of the class for it! He said being last just meant I was taking my time to get it right. (Being slow doesn't help when I'm sparring but I took the compliment in the spirit it was given. Besides, I wasn't about to disagree with a 6th degree black belt. My mama didn't raise a stupid kid.)


For the next week, I’m going to try to take the lesson in the quote to heart. I may be slow and plodding along, but at least I’m out there, giving it my best shot. And that’s better than standing still.




Saturday, September 3, 2011

Revision. You Know You Want To

Okay, I just love this picture. I WANT this t-shirt.

Because in the last year I’ve learned a lot about writing, but the most important thing I think I learned was how to revise. I have my typical checklist of things to look for when I’m revising, but this past year I took my revisions to a whole new level. I needed to go even deeper and add another layer to my story.

In order to do this, I needed to bring in a number of elements.
They were:


1. Motivation- What are my secondary characters’ motivations? How can their motivations in turn affect my main character and the overall plot progression of the novel?


2. Setting- How can I use my setting to create a mood and atmosphere in my story? How can the setting add tension to the story?


3. Character’s perspective- Write about only the things that my main character would notice. Stay in POV! If my character wouldn’t notice the floor, then don’t mention it. And how can the props in the room further add to the story?


4. Purpose- Remind the reader of the main character’s purpose over and over again. Make that end goal almost unachievable.


5. Scene Arc- Every scene must have an arc and must serve a purpose to the overarching plot of the novel. If it doesn’t serve that purpose, axe it.


5. And even better yet, make each scene serve multiple purposes- advancing the inner conflict AND outer conflict.


6. Foreshadowing- Thread in those foreshadowings throughout the story. Start at chapter 1 and work my way through the whole story (often this can’t be done until I’ve written at least two revisions).


What about you? What are some elements in your revisions that you have recently been incorporating?

~ Christina

Friday, September 2, 2011

Expectations


I ran out earlier to do a few errands. One of them was to stop by the high school and pick up tickets to the home opening football game where my 17-year-old son will be marching tonight. As I walked by the main office, I glanced up and saw my oldest son’s banner and it got me thinking about expectations.


You see, last year my oldest, Matt, graduated. He was valedictorian and he and another classmate were National Merit Scholarship Finalists. It was the first time in the school’s history that they had Finalists so it was a big deal. The two kids got these humungous banners with their pictures and names. And, like I said, the banners hang right by the front door.


I’ve often wondered what my middle child, Sam, thinks about having his brother’s banner up like that. He literally has to walk under it every day. (My youngest, a freshman this year, doesn't have to deal with this as much since she attends a different school.) While Sam is a very smart kid in his own right, he’s not the top of his class. Matt - and I say this with all the love in my heart - is a bit of a freak of nature. I’m guessing it must be rather hard for Sam to live in the shadow of so many expectations from teachers and classmates. (My husband and I have always expected our three kids do nothing but their best. We don’t compare them. Or at least try not to.) How challenging it must be sometimes for Sam to be his own person and shine in his own unique way.


I’ve been struggling with the same thing lately. Only, it’s not because of some banner. I’ve been doing it to myself!


I got it in my head that if this new project I’m working on - the one that’s barely three pages and a bunch of scribbled notes at the moment - doesn’t land me an agent or sell, I’m gonna pack it up and call it a day as a novelist. Now, how’s *that* for pressure?! No wonder I’ve been having a heck of a time finding my stride.


Why on Earth do we do this to ourselves? Our expectation when we begin any project should be to just to do our best. Publication, agents, high sales, book clubs, awards (banners with our pictures and names...) be damned.


Sure, I’ve already had a dozen or so non-fiction books published. Some of them have gotten recognition and sold well. But none of that - and I mean NONE of that - has any barring on my current project. I should have no expectations. Just the joy of letting the story grow and shine in its own, unique way.


I owe the story, and myself, nothing less.


~Carmella



Sunday, August 21, 2011

I need a little Superman

Before my mother retired, she worked as a graphic artist for Hallmark. I’d sometimes visit her at work at the corporate offices in Kansas City. One of the things I enjoyed most was seeing all the cool and interesting ways the artists decorated their work areas. My mother told me artists were encouraged to take creative ownership of their space. That the company believed a happy artist was a productive one.


While my mom didn’t have palm trees or funny dolls sitting her shelves or cartoons plastered everywhere in her cubicle, she did teach me the value of keeping your muse, well, amused. If she saw something - be it artwork or jewelry or some doodad - and it made her happy or inspired her in some way, she bought it. This is something I do, too.


My work space is covered in all kinds of things that delight me. And I don’t have a lot of trouble justifying the cost. In my defense, I usually go for inexpensive items. I think the most costly thing was my (fake) tiara. Yes, you read that right. A tiara. And yes, I occasionally wear it. Especially when I need to feel like Queen of the Page. Don’t judge me.


Lately, I’ve found myself in need of some serious inspiration. I recently finished a big project and I always experience a let down after completing a book. (It's like watching your characters go off of their own.) And I haven’t quite got my new project off the ground. I’m in the glorious/awful stage - when things are flowing in your head and you’re excited to get started but that blank first page is still winning the staring contest.


So in the last week, I treated myself to three, new “gifts to the writing gods.” Two were plaques. One says: I’m fairly certain that given a cape and a nice tiara, I could save the world. (Note to self - I just need a cape now.) and the other plaque says: I have flying monkeys and I’m not afraid to use them!


The third thing I bought was a Superman PEZ. He’s very cute, with the Christopher Reeve curl to boot. Given the fact my new project is gonna be extra tough (it tackles a controversial topic), I can definitely use a little Superman hanging around, waiting to swoop me up and fly when I fall.


Here’s my challenge to you: this week treat yourself to inspiration. Look around and find some little thing - it could be anything - that makes you happy or inspires you. And then put it in your work area. Remember, you deserve it. A happy artist is a productive one.


If you feel like it, please come back and tell me about it. I'd love to hear from you!


~Carmella