Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Wednesday, August 14, 2013

The Self-Pub Boom: Asking the Vets

With the explosion of e-reading, self-publishing e-books is becoming a popular way for writers to get their stories into the hands of readers faster and more frequently than the Big Five publishers. But is it for you? I asked two talented kidlit authors who have self published books I love about their experiences. I gave them both the same questions: why did you decide to self-publish and what surprised you about the process?

First up, Lisa Tiffin, middle grade author. Lisa is a freelance writer and children’s author who lives in Upstate New York with her husband and twin sons. Her work has appeared in the Democrat & Chronicle, Chicken Soup for the Soul, TWINS, WOW! Women On Writing and other magazines. Theft of the Star Tracker is her first novel for young people. Her website is www.lisatiffin.com.

Lisa says, "I always thought self publishing was a great option and had been thinking about putting one of my books out there to test the waters. Theft of the Star Tracker was actually under contract once upon a time with a small publisher (fortunately we parted ways as the recession forced them out of business!). I learned a lot from that experience, and I realized that I might just be able to do what they were doing on my own."

"It took a couple of years of reading about self publishing – everything from blog posts to magazine articles to books – for me to make the move, but I finally felt like self publishing could be a viable option for me. I think for me self publishing is a way to get my work into the hands of readers, rather than let it languish in a drawer or the in-box of another editor or agent. I’ve had good response and feedback on Theft of the Star Tracker, but because it includes sports as well as science and technology, lots of people weren’t sure where it fit in the market. I’m hoping that by self publishing it, the right readers will discover it and eventually enjoy the entire series."


So what was the surprise? "How fun it is to check sales, rankings and comments each day! Okay, seriously, the thing that surprised me the most about the process of self-publishing is how easy it really is. There are so many options and ways to publish that it really is a matter of choosing the best option for you and committing to it. Once I made the decision, asked for help and advice from people who had gone through the process, it was really a matter of hitting send!"

"Some people will warn you off self publishing because it is too much work or is so expensive, but I was pleasantly surprised to find that there are options that fit what you want. For example, I didn’t want to learn all the technical aspects of formatting an e-book, so I found someone to do the work for a reasonable rate. On the other hand, I enjoy marketing, so I work a little bit each day to find new avenues to get the word out about my book rather than pay a PR firm. That flexibility of choice and sense of control might just be the best part about self publishing."



Deena Lipomi (www.deenalipomi.com) grew up in western New York with an older sister, younger brother, and parents who encouraged the creation of fictional worlds. She has a BS in Creative Writing and Communications from SUNY Brockport, and a Masters in Library Science from the University at Buffalo. By day she works as a Young Adult Services Librarian in a busy public library, and by night she dives into her novels. Besides reading and writing, Deena is also a fan of traveling, Muppets, Project Runway, and baking gluten free recipes. She lives near her home town with her musician husband and a large number of guitars, computers and, of course, books.You can read her blog here, and read her book reviews here. She might friend you on FaceBook, and she tweets for her library @bmlkidsteens.

Deena says, "Four main things made me decide to self-publish:
1. The YA market is very crowded and hard to break into right now, even if you have a solid manuscript;
2. Blackout is a commercial YA novel with a soft sci-fi element and a sequel, which seems to do well in the current market as self-pubbed e-books;
3. After seven years of working toward publishing MG and YA novels, I wanted to get something Out There so I could move on to my other works and not keep tweaking the same manuscripts; and
4. I'm not getting any younger." (Ouch, she's totally young, don't listen to this point!)

"I still want to be a traditionally published author, but with self-epubbing offering so many opportunities to indy authors, and with readers embracing ebooks and ereaders now more than ever, the time was right for me to set BLACKOUT free into the world.
I'm glad this wasn't a viable option even five years ago because I may have published something that wasn't ready, but I think at this point my craft is strong, my story is tight, and my critique partners helped me get this novel in great shape. BLACKOUT is something I can be proud of and won't wince over in six months."

What surprised her about the process? "How my library colleagues, family, and friends not involved in the publishing industry are so excited to see my book on e-tailer websites and don't care at all that it is self-pubbed and not traditionally published. I don't think a lot of readers outside of the biz see that much difference as long as the cover and formatting of the book look professional. The support has been amazing and I am grateful to everyone who has read the book or told someone else about it."
"I also never thought I'd be excited to have a book trailer, but whether or not they increase sales, it is fun to be able to direct someone to a free 'experience' (viewing a book trailer with cool original music) courtesy of Deena Lipomi. And it is a way to inform people about my book that feels less like I am hocking my wares."

The Blackout trailer is on YouTube at 
Blackout is available at:

Thanks a lot, Lisa and Deena, for answering my questions. Although I don't currently have plans to self-publish, that may change in the future. So I keep asking questions. And I'm glad that people are enjoying both these stories. They're great stories and they deserve readers.

-- Kate

Thursday, February 16, 2012

Comics for writers and thoughts on self-publishing


Over the years, I've created quite a few comics for writers for Inkygirl, Will Write For Chocolate, Writer Unboxed and other venues. After prodding from writer friends (especially Christina Katz), I've decided it's about time to compile the best of them into a print book compilation. If I can't find a traditional publisher, then I've decided I'm going to self-publish.

Why? Because I KNOW there is a market for this book (which I've tentatively titled "Will Write For Chocolate"). I keep getting emails from people I don't know, asking where they can buy my comics in book form as a gift. I have over 16,000 followers on my @inkyelbows Twitter feed for writers, and a growing number of followers on my various blogs. Yes, the book has a niche market and will never hit a New York Times bestseller list. But it does have a market.


I originally had pitched this book as a collection of my writer comics AND tips for writers, but one publisher I approached said they preferred fewer comics and more writer tips. Instead, I've decided I'm going the opposite route: get rid of the writer tips (there are already so many good writing advice books out there) and focus on ONLY my comics.

While I admire those who successfully self-publish, I would still personally opt for a traditional publisher if given a choice for several reasons.

I don't like adminstuff, for example. And frankly, am not good at it. I love coming up with ideas and creating, but would far rather take a smaller cut of the profits and have someone else take care of at least part of the business end.



Yes, yes, I know that freelance writers and illustrators need to also be businesspeople and be on top of payments and invoices and royalties and record-keeping and so on. I do it when necessary and am getting better.

Plus, depending on the publisher, having a book traditionally published can get your book into wider distribution channels. Yes, I can promote the book myself and will promote the book regardless of whether the book ends up traditionally published or self-published. The more promotion I have to do, however, the less time I have left for creative work...and self-published books need more author-powered promotion to succeed.


Traditional publishers also have a lot more resources to help you make the book stronger and more marketable. My experience working with Simon & Schuster Books For Young Readers on I'M BORED has helped me better appreciate the huge value (and joy) in collaborating with a publisher's in-house team.

I've seen so many self-published books whose content may have merit but have turned me off because of the abysmal layout, amateur-looking covers, typos and grammar gaffes. While there are excellent and high-quality self-published books out there, there are also many ugly and unedited self-published books.

Content is king, it's true. But it's also a fact that when it comes to selling books to people who aren't your friends or family or supportive colleagues, then packaging also matters.

Apologies for the rambling nature of this post. I originally was going to just post one comic and a brief paragraph about why I may end up self-publishing Will Write For Chocolate...and look what happened.

Anyway, I'll be gradually posting more comics for writers on Inkygirl and MiGwriters as I continue to compile, tag and catalog my comics in prep for my book. Through my agent, I'm also going to continue to look for a traditional publisher. If I can't find one, then I'm going to self-publish. 

I'll let you all know what happens.  :-)

- Debbie Ridpath Ohi