
Friday, December 21, 2012
Asking Santa for an Agent? - by Christina Farley
The other day, we MiGs were chatting about agents and offers and revisions and all that good stuff. After our chat, I thought how helpful it would be to put together all of our thoughts and ideas on what to do when you get that "call" from an agent.
So I made up this vlog that goes over each step of the process, some questions you might ask during the phone call and why you should ask those questions. I hope you find this helpful.
Anything else you would add to this list?
Christina Farley's debut YA, GILDED, releases fall 2013 by Amazon Children's Publishing (formally known as Marshall Cavendish). She is represented by Jeff Ourvan of the Jennifer Lyons Literary Agency, LLC. She blogs and vlogs about writing and traveling, and is often found procrastinating on Twitter.
Tuesday, November 20, 2012
My Grateful Post
That I have a new non-fiction book coming out next year.
Friday, May 4, 2012
Meet Our Agents- Jeff Ourvan of Jennifer Lyons Literary Agency, LLC
Today Christina Farley's agent, Jeff Ourvan of the Jennifer Lyons Literary Agency, LLC., will be sharing with us. He is currently shopping Christina's young adult novel, GILDED.
Agency Website
Publisher's Marketplace
Author Website
MiGs: Why did you become an agent?
Jeff: I’ve had a diverse career as an attorney, a communications consultant and a writer/editor and believed that working as a literary agent would be the perfect way to merge these various skills.
MiGs: What made you pick your very first client?
Jeff: He wrote I book that I would have bought and read. Also his work, which was nonfiction, told an important and unique story about Middle Eastern culture and politics, and I felt it was potentially marketable.
MiGs: Of the most recent 100 queries you received from writers, how many did you accept as clients? (rough guess)
Jeff: Less than one. Perhaps one out of the last 200.
MiGs: What is an ideal client?
Jeff: An author who writes well (of course), who knows his or her market, who’s open to editorial criticism, who responds quickly, who is generally polite, and who fully shares in the endeavor to sell his or her work.
Jeff: In general, any sort of advice that presumes to apply to all writers is suspect. Everyone is different, everyone has a different style and approach. One thing I used to hear a lot that definitely isn’t true is that you have to write everyday in order to be a good writer. I think it’s more important to live a courageous and interesting life everyday in order to be a good writer.
MiGs: Do you read the query letter first or the sample pages?
Jeff: Always the query. I don’t even get to the sample pages if the query hasn’t grabbed me. And sometimes I don’t finish the query if the first paragraph hasn’t already intrigued me.
MiGs: What is one common misconception that inexperienced writers tend to have about agents?
Jeff: Hmm. That we’re all handsome and glamorous? I guess a misconception that I sometimes run into is that I ought to be able to tell a writer precisely what sort of book, or genre, will be the next big thing. The truth is that publishing anything is a challenge right now. Writers should write what they want to write, what’s in their hearts.
MiGs: What is something people might not know about you?
Jeff: I’ve been to all 50 states!
MiGs: What’s on your wish list?
Jeff: Thrillers, mysteries, nonfiction sports, nonfiction in general, literary YA.
Check out Jeff's newly released book: HOW TO COACH YOUTH BASEBALL SO EVERY KID WINS
Thursday, May 3, 2012
Meet Our Agents- Marie Lamba of Jennifer DeChiara Literary Agency
Posted in this series so far: Intro - Andrea Cascardi (Transatlantic) - Ginger Knowlton (Curtis Brown)
Today Carmella Van Vleet's agent, Marie Lamba of the Jennifer DeChiara Literary Agency, will be sharing with us. She is currently shopping Carmella's middle grade novel, ELIZA BING IS (NOT) A BIG FAT QUITTER.
Agency Website
Author's Website
I'm happy that so far I have all ideal clients. But what would be a less than ideal client?Someone who is nasty, unprofessional, unreasonably demanding, or a diva who doesn't understand that writing is not just an art but a business as well. I've seen flashes of these qualities in queries, and I immediately turn them down. As an agent, you are in a relationship with a writer for years and years. Who wants to represent someone that's difficult?
Marie: That in college I studied not only writing but fine art. I'd planned on being a writer/illustrator. The closest I've gotten to this goal is drawing the cover illustration for my latest YA novel DRAWN.
Wednesday, May 2, 2012
Meet Our Agents- Ginger Knowlton of Curtis Brown Ltd.
Posted in this series so far: Intro - Andrea Cascardi (Transatlantic)
Today, Debbie Ridpath Ohi's agent, Ginger Knowlton of Curtis Brown Ltd, will be sharing with us. Ginger just finished negotiating two book contracts with Simon and Schuster Books For Young Readers for Debbie. Read about it here! Debbie's picture book, I'M BORED (written by Michael Ian Black, illustrated by Debbie) comes out this September and you can find out how it was created in the I'm Bored Scrapbook Journal.
Agency Website | Ginger's bio
Publisher's Marketplace
On Twitter: @gknowlton58 at @CurtisBrownLtd
MiGs: How many clients do you feel comfortable balancing?
Ginger: Such a question! I could say—that depends on the day and the time of day and the month and the time of month and the year and the time of year. Or I could say—all of mine. So that’s what I’ll say.
MiGs: Do you think publishers will be increasing their lists or decreasing them this year?
Ginger: Are we talking about children’s books or all kinds of books? For children’s books, I imagine that there will be a bit of an increase, simply because more and more publishers are seeing how healthy the children’s book field is, and they’re jumping on the bandwagon.
MiGs: What made you pick your very first client?
Ginger: I was working as Marilyn Marlow’s assistant at the time and we thought it might be good for me to start my agent career by representing illustrators, since Marilyn had so many picture book writers, and we were in the midst of a picture book boom at the time (in the late 80s). Laurel Molk and I have worked together since 1988, I think, and she is about to sign contracts to illustrate a graphic novel for First Second and a picture book for Holt.
MiGs: What makes an ideal client?
Ginger: I honestly think there are as many answers to that question as there are clients. Some attributes that I value are talent, honesty, trust, talent, a partnership mentality, forthrightness, talent, and faithfulness. And a sense of humor. Definitely a sense of humor helps. Did I mention talent?
MiGs: Of the most recent 100 queries you received from writers, how many did you accept as clients? (rough guess)
Ginger: Of the most recent 100, I believe the answer is 0. I am truly sorry that is the case.
MiGs: What is one piece of typical writing advice that you think should go out the window?
Ginger: I don’t think it’s necessarily true in all cases that you should ‘write what you know’.
MiGs: Do you read the query letter first or the sample pages?
Ginger: I tend to go right to the writing and read the query letter closely if I like the writing. But that’s not always the case.
MiGs: What is one common misconception that inexperienced writers tend to have about agents?
Ginger: That agents will become irrelevant in this world of ebook publishing.
MiGs: What is something people might not know about you?
Ginger: Wait. Did you get that question from the Miami conference? Let’s see — people may not know that I went to 13 different schools, including college, navy brat that I am. Really, 12, but I say 13 because of the two weeks I went to Vallejo High School as a junior before my parents moved me to St. Vincent’s.
MiGs: What would you love to see in your query inbox right now? or What’s on your wish list?
Ginger: I want what I always want—a story that I. Can’t. Put. Down.
MiGs: Why did you become an agent?
Ginger: My dad asked me to move back east (‘to the civilized coast,’ he said) to work at Curtis Brown. My brother and sister were already working with him, and I guess he wanted to complete the kingdom. I was working with children in California, and I’ve always been an avid reader, so he thought I would be a good addition to the children’s book department.
MiGs: What are your response times?
Ginger: I am struggling with the email problem at the moment. I’m pretty fast when people submit to me via snail mail, but I know that’s a hassle and becoming obsolete. I do try to keep up with emailed submissions, but I need to establish a better system. (I also need more time.) I think it would help if authors put ‘query’ as the subject line. Also, if authors who query me don’t hear back within a month, please feel free to send a gentle nudge along with the original email. Please don’t send attachments unless I request it. I realize I haven’t really answered your question.
Tuesday, May 1, 2012
Meet Our Agents- Andrea Cascardi of Transatlantic Literary Agency
Posted in this series so far: Intro
Today Susan Laidlaw's agent, Andrea Cascardi of the Transatlantic Literary Agency, will be sharing with us. Andrea recently sold Susan's YA, INFIDEL IN PARADISE, to Tundra Books. Look for INFIDEL IN PARADISE to be released winter 2013!
Agency Website
Publisher's Marketplace
MiGs: Why did you become an agent?
Cascardi: I wanted to continue working with writers but had decided to leave the corporate publishing world.
MiGs: What made you pick your very first client?
Cascardi: He picked me, actually. I had been his editor at Knopf and he was the one who asked, when I left, "are you thinking about being an agent?" I said "why, would you be looking for an agent?" And that's essentially how the decision was made.
MiGs: Of the most recent 100 queries you received from writers, how many did you accept as clients? (rough guess)
Cascardi: Of the most recent 100 queries, I'd say none. I have a very full list and I get a lot of queries, so the percentage of what I take is very very small.
MiGs: What is an ideal client?
Cascardi: Someone who understands that writing is creative but publishing is a business. Not everything that is well-written gets published. And a writer has to be prepared to help find the readers nowadays.
MiGs: What is one piece of typical writing advice you think should go out the window?
Cascardi: I don't tend to read writing advice so I can't answer that one.
MiGs: Do you read the query letter first or the sample pages?
Cascardi: I read the query first. If the query intrigues me, but it's not an area I represent, I won't read the first pages. But if my interest in the query and the area dovetail, I will go right to the sample pages or ask to see the full manuscript.
MiGs: What is one common misconception that inexperienced writers tend to have about agents?
Cascardi: That getting an agent is the holy grail-- the end of the rainbow. There's a lot of work that comes after one gets an agent, so be prepared to continue to hone your craft beyond that stage.
MiGs: What is something people might not know about you?
Cascardi: I love swing dancing.
MiGs: What's on your wish list?
Cascardi: Romance, humor, and thrillers! Always with a geographical setting that is as strong as any character.
Monday, April 30, 2012
Meet Our Agents
Please welcome our agents: Andrea Cascardi of the Transatlantic Literary Agency, Ginger Knowlton of the Curtis Brown Agency, Marie Lamba of the Jennifer DeChiara Literary Agency, and Jeff Ourvan of the Jennifer Lyons Literary Agency, LLC.
Here's the line-up:
Tuesday- Susan Laidlaw's agent: Andrea Cascardi of the Transatlantic Literary Agency
Andrea Cascardi has more than twenty years experience in book publishing. Beginning as an editorial assistant at Houghton Mifflin, she moved up the ranks at several major New York Publishing houses (including Scholastic, Crown/Random House and Hyperion) to become Assistant Publishing Director for Knopf and Crown Books for Young Readers before joining TLA. Among the award-winning authors and celebrities whose children’s books she edited are Faith Ringgold, Karen Hesse, Julia Alvarez, Raffi, Tim Burton, and Wendy Wasserstein. She also wrote two books for parents about choosing the best books, audio, and video for children, and reviewed children’s book for the Boston Parents’ Paper. Andrea has also taught children’s books publishing for master’s degree-level students at Pace University.
Wednesday- Debbie's agent: Ginger Knowlton of the Curtis Brown Agency
Ginger Knowlton represents authors and illustrators of children's books in all genres, as well as a few adult book authors. Her list includes Newbery Medalists, Newbery Honor and Printz Honor winners, Edgar and Lambda winners, a Sibert and Orbis Pictus winner, New York Times bestsellers, and a host of other delightful and talented clients. Ginger started working at Curtis Brown as an assistant to Marilyn Marlow, one of the first literary agents to specialize in children's books in the 1960s. Working for Marilyn was a rite of passage, affectionately referred to as Curtis Brown’s "Boot Camp." Before joining the company, Ginger worked in the field of early childhood education in Sacramento and Mendocino, California. She has served on the Board of Directors of the Association of Authors' Representatives and currently serves on the Board of Directors of the Friends of the Library in her hometown in Westchester County.
Thursday- Carmella's agent: Marie Lamba of the Jennifer DeChiara Literary Agency
Marie Lamba joined JDLA as an Associate Agent in 2011. She is the author of the young adult novel WHAT I MEANT . . . (Random House), and her work appears in the short story anthology LIAR LIAR (Mendacity Press) and the anthology CALL ME OKAASAN: ADVENTURES IN MULTICULTURAL MOTHERING (Wyatt-MacKenzie Publishing). Marie's articles appear in more than 100 publications, including national magazines such as Writer's Digest, Garden Design, and RWR. She has worked as an editor, an award-winning public relations writer, and a book publicist, has taught classes on novel writing and author promotion, and is a member of Romance Writers of America and The Liars Club.
Friday- Christina's agent: Jeff Ourvan of the Jennifer Lyons Literary Agency, LLC.
Jeff Ourvan, an attorney, published author and former editor, is a literary agent with the Jennifer Lyons Literary Agency. His interests are varied: he represents non-fiction works, especially memoirs, histories, biographies, international current events and sports. He also represents fiction works, particularly in the young adult, thriller and international fiction categories. Prior to his career as a literary agent, Jeff was a litigator for many years at two large New York-based corporate law firms; a communications consultant working in New York, Los Angeles and Tokyo; and an editor of Living Buddhism magazine. One of Jeff’s upcoming works, How To Coach Youth Baseball So Every Kid Wins, will be distributed by Norton in Spring 2012. Jeff is married to the novelist Jessica Jiji.
Monday, April 23, 2012
Next Week: Interviews With Our Agents From Transatlantic, Curtis Brown, Jennifer DeChiara and Jennifer Lyons
SUPER-EXCITING NEWS: Next week we're hosting interviews with our agents all week long, asking them some tough questions about the market, misconceptions, and what they are looking for in submissions and in their clients.
Here's the line-up for next week:
Mon. April 30: Mini-bios about each agent.
Tues. May 1st: Susan's agent: Andrea Cascardi of the Transatlantic Literary Agency.
Wed. May 2nd: Debbie's agent: Ginger Knowlton of Curtis Brown Ltd.
Thu. May 3rd: Carmella's agent: Marie Lamba of the Jennifer DeChiara Literary Agency.
Fri. May 4th: Christina's agent: Jeff Ourvan of the Jennifer Lyons Literary Agency, LLC.
Tuesday, December 13, 2011
News and Signs
Wow. It’s been a while since any of us have posted. Sorry about that. All of us have been busy writing and revising and, in one case, illustrating. (Don’t look at me; my mom may be an artist but I can’t even draw a stick figure.) Lots of great news is just around the corner!
Here’s some more news I’m happy to share: I have an agent! I’m thrilled to announce that I’m now represented by Marie Lamba at the Jennifer DeChiara Literary Agency. Marie is an experienced writer who’s just made the move into agenting. I am her first client and I’m very honored and humbled she chose me. It’s a unique situation but one that makes me very happy. I feel like we are both starting on this journey together; she’s putting her faith in me and I’m putting my faith in her.
I know some people like to hear stories about THE CALL. So I thought I’d share mine.
First some background. About a week or so ago, I was approached by an editor I’ve worked with before about doing a non-fiction book. I wasn’t sure I wanted to do it. I’m in the middle of a new project (a YA) but everyone I approached for advice, told me to take it, do it. It’s writing. It’s money. It’s a BOOK.
I enjoy doing non-fiction (and would like to do some more eventually) and it made no sense for me not to take the project. But my gut kept telling me “No.” I didn’t understand it and I didn’t know what to do. I felt like I was at a crossroad: go back to doing non-fiction or stay on this new path I’ve chosen. Which, frankly, was beginning to feel like a dead end. Three years. Two novels. Numerous “close calls” but no agent or book contract. It all takes a huge, mental and emotional toll. Especially since I'd left paying gigs to do it.
So, last Thursday, I woke up and asked the Universe for a sign. I do that a lot. I’m sure the Universe answers but I don’t always see them clearly so I got greedy and also asked for a “big” sign. Preferably something written in neon.
While procrastinating (yes, I procrastinate, shocking, I know) I visited a favorite blog, YA Highway. This post was up. It’s about protecting your writing sanity. Scroll down to the bottom. See that note that says “Don’t Do Things You Don’t Want to Do” ? I read that and went, Hmmm. Maybe that’s my sign!
Just to try a decision on, I started to compose a note to the editor. You know, to test out how it felt to turn down the project. I opened a file, got, oh about three sentences into it, when the phone rang.
Yep. It was Marie! (But you could see that coming, right? LOL )
I spoke with her for about an hour, hoping that I sounded half-way coherent and intelligent and trying to remember all the things you’re supposed to ask an agent about. By the time, we said goodbye, I felt really confident she was a good match.
There were still two other agents who had my full. I contacted both. One got back to me right away, wishing me luck. But I hadn’t heard from the other one. Then, the next day, as I was driving my daughter home from school, I caught myself hoping that second agent would hurry up and turn me down too so I could make things official. I realized that if that’s what I was thinking, then I’d already made a decision. I called Marie as soon as I got home and accepted her offer.
So... I’m sticking on this new path I’ve chosen. I may go back to non-fiction someday but, for now, this is where I want to be. And now I have a traveling companion to help share the load. Or - more accurately - another traveling companion because I wouldn’t be where I am today without my amazing, kind, talented, funny, wicked smart critique group! Thank you, Debbie, Andrea, Christy, Kate and Susan. I mean that from the bottom of my heart.
Let’s hear it for neon signs! :-)
Friday, August 5, 2011
Breaking up is hard to do
After revising my latest novel, I promptly sent it out to an agent who had expressed interest in it. I’ve been interacting with this particular agent at conferences and via email for many years. I thought she might be “The One.” (If there is such a thing.) She’d had some concerns about the direction of my career which is why she’d passed on offering representation last round. But I let her know that I’d made some decisions and hoped she was interested in reading the revisions and discussing my thoughts about my future.
I got a “No and please stop contacting me” within 48 hours. (Okay. She didn’t actually say to stop contacting her - it just felt like that! *grin*)
It was a depressing, l-think-I’ll-go-eat-a-bowl-of-cookie-dough-now experience, sure. But it was also, in a real way, liberating. Kind of like dating someone for a long time, realizing you want more from the relationship but the other person doesn’t. I walked away thinking, “Alrighty then. Well, at least I can cross *that* person’s name off my list!”
But here’s the thing. Several days later, I had lunch with a friend who happens to be one of Agent’s clients. We were talking about the “break up” and she told me she knew the agent had another client who was trying to write both MG and YA and not having much success dividing her energies and nailing both voices. (This was the main reason Agent took a pass on me earlier. She really like the MG book I submitted but not the first 30 pages of my YA book.) So my friend told me she could see why Agent would be reluctant to take on another client that she felt was in the same position.
Who knows? Maybe Agent was right. Perhaps I haven’t quite pulled off the YA voice in my other project. But maybe she let her prejudice and experience with this other writer cloud her judgement when it came to my work.
Either way, it was a good reminder that - sometimes - it's THEM and not you.
Happy writing!
~Carmella